Stoke Newington Literary Festival (www.stokenewingtonliteraryfestival.com) Mary on the Green: Celebrating Mary Wollstonecraft, The Gallery, Stoke Newington Public Library Fragments & Monuments’ artists talk about their new book and participate in Strangers in the Neighbourhood, a collaboration between Anna Birch and Taey Iohe with Roberta Wedge, Mary Wollstonecraft blogger.>> more
Wollstonecraft Live! Hackney Museum, London, UK featured A Vindication of the Rights of Woman by Mary Wollstonecraft (1792) from the Hackney Archive and a specially produced companion volume and art book The Wollstonecraft Live Experience! by Anna Birch and Taey Iohe (2010).
First British feminist and Hackney resident Mary Wollstonecraft (1759 -1797) is brought back to life by Fragments & Monuments, using theatrical performance, film and now a book and museum display. Mary Wollstonecraft was the first to look at the condition of women in her book ‘A Vindication of the Rights of Woman’. Mary Wollstonecraft lived on Newington Green where she started a school for girls. She was a member of the congregation at the Unitarian Chapel on the Green and prayed in pew 19. Mary Wollstonecraft was the first woman travel writer and visited France during the French revolution where she became even more convinced that improving women’s rights would improve human rights.
Thanks to her women now have better equal opportunities.
Fragments & Monuments continue to create a living monument to Mary Wollstonecraft through projects and the people who come to see them.
Awarded Time Out critics choice. >> more
Wollstonecraft Live! Portavillion Inside/Outside Cinema – specially curated projection for pre-Olympic Cultural Event, Gillett Square, East London, UK
film installation featuring all our films where ‘Mary’ will be projected outside the VORTEX Jazz venue, Dalston Junction, Hackney, E8. Local resident and celebrated screen writer Tony Grisoni says: ‘Good to know Mary is alive and living in Stoke Newington. We need more like her!’
Anna Birch and Taey Iohe performative lecture South Korea FIRT/International Federation of Theatre Research Seoul, Korea looking at what space, place and identity might mean in the context of a particular neighbourhood in north east, London, UK. Our investigation is a collaboration between two artists one born in Seoul, Korea who now lives in London and the other born in the UK who lives in London. Taey: The collaboration is based on virtual and live encounter between Na Hye-Seok (1948-1896), the first Korean woman painter in western style Anna: and Mary Wollstonecraft (1759-1797), the first British feminist.
Taey Iohe invited artist for Eonni (Sister) is back creates installation Lure of the Lawn featuring Newington Green, Islington, London and Sleepwalkers, Gyeonggi Museum of Modern Art, South Korea
September 15th The Wollstonecraft Live Experience! outdoor screening and live music event celebrated the life of Mary Wollstonecraft (1759-1797) once again by projecting the 20 minute film of site-based, multimedia performance Wollstonecraft Live! onto Newington Green to an audience of over 200 people (80% local people). Picnic mats designed by Tina Lonergan defined a space where people enjoyed delicious picnics, learnt more about Wollstonecraft and their local history and met each other in a safe and public space. The Deirdre Cartwright Trio played their great sounds and VJ Jana mixed the F&M visual archive using ISADORA Software. DVD available now
The Wollstonecraft Live Experience! Ruskin Gallery, Anglia University, UK
March Ruskin Gallery, Cambridge Fragments & Monuments were invited to display the F&M artifacts as part of the ‘Modes of Spectating’ Conference led by Christine White and Alison Oddey. This invitation helped us to develop the project in new spaces – now moving into the gallery to look at our work from a fine art and performance perspective. The relationship of our audience to our work, the spectators and participants in our work could be discovered through a new lense. For the ‘Modes of Spectating’ conference the gallery visitor was given the opportunity of re-discovering, re-reading and re-visiting the artifacts generated by our live and mediated performances of Wollstonecraft Live! (2005). This renactment of the show creates a space where the concepts and material outcomes eg. the script and costumes can be viewed in a new way.See Artangel Battle of Orgreave at Tate Modern in The World as a Stage exhibition October 2007 where the artefacts and research are assembled and reviewed in a new context also Mark Wallinger ‘The State of Britain’at Tate Britain
Wollstonecraft Live! a multimedia history of Mary Wollstonecraft Britain’s first feminist. A.I.R. Gallery, New York, USA
February 16th A.I.R. Gallery New York Gallery installation making global links. We were invited by artist Daria Dorush to presentThe Wollstonecraft Live Experience! We wore the ‘white box dresses’ and tool belts (yes! they did eventually get through US customs)in a performance installation spin off. Audience reaction was good and we made transatlantic connections with Tom Paine and his contribution to the American Constitution and Harvard University which had begun its days on Newington Green, London.
Spit-Lit Festival, Hackney, Kaethe Fine and Anna Birch opened the festival and Ros Phillipps presented clips from the live performance – clubbing after this event was memorable!
Spice Festival, Hackney dressed as Mary Wollstonecraft in the ‘box dresses’ Katherine Vernez and Anna Birch chatted with festival visitors. Katherine was very popular because of her recent appearance at Hackney Empire
Performance and Film
Wollstonecraft Live! written by Kaethe Fine, conceived by Anna Birch and Kaethe Fine, and produced and directed by Anna Birch, multi-media, site-specific performance in Unitarian Chapel and on Newington Green, Islington, London, UK and short film Vindication written by Kaethe Fine, directed by Anna Birch
Wollstonecraft Live! opening night was a gala to celebrate the regeneration of Newington Green, our professional company supported by Central Saint Martins students gave everything in a fast paced double bill: ‘Mother of feminism reborn in triplicate. Wolstonecraft makes a great multimedia heroine. Long may she live! Hermione Eyre, Independent on Sunday, Talk of the Town, 25 September 2005. see www.wollstonecraftlive.com for full cast and crew. ‘By bringing ‘this active restless spirit’ back to Newington Green and by continuing to re- play this performance, they hope to create a monument to this amazing woman.’ Fragments of a Life: performing History on Newington Green, Theatre Forum. Prof. Lesley Ferris November 2005.
Dogs Are Alone Too and They Live! (1996): Devised from an idea by Madelon Schwirtz Lovely Stones (1998): By Janet Goddard Di’s Midsummer Night Party (2000) : Devised from an idea by Anna Birch
Di’s Midsummer Night Party (Keyworx version) screened the Cochrane Theatre, Royal College of Art and OMSK , London, UK
Di’s Midsummer Night Party outdoor projection of site-specific performance onto Clissold House, Stoke Newington, London.
The trilogy is in three parts:
Di’s Midsummer Night Party out door screening Stoke Newington Festival the film of the performance was projected on the front of Clissold House, reversing the production in 2000 where the audience entered through the back door of the house, the projection brought the little known interior of the house onto the exterior making this architecturally significant building visible.
Di’s Midsummer Night Party devised with the company Scenographer Madelon Schwirtz and directed by Anna Birch for Stoke Newington Festival
Lovely Stones by Janet Goddard Scenofest Central Saint Martins College of Art and Design with Princess Diana ( to commemorate her death one year on) and Adela and Miss Julie this show skillfully crafted by Goddard opened on a special coach hired by us to take the audience across the River Thames integrating the beautiful London panorama into our scenography to Borough where the show continued in a disused factory now Miss Julie’s dream hotel.
Dogs are Alone Too and they Survive! MA Scenography final show devised by Madelon Schwirtz and directed by Anna Birch Central Saint Martins College of Art and Design, University of the Arts , London. By taking Top Girls by Caryl Churchill as a template we devised a physical theatre and installation in a train carriage with an interior and exterior space specially built for the Lethaby Gallery, C.S.M. where water melons were famously thrown and our first real-time picnic enjoyed by Adela and Miss Julie.